CODAZZI, Viviano
Italian Baroque Era Painter, 1604-1670 Italian painter. He arrived in Naples about 1634, having almost certainly trained in Rome. He was a specialist in the realistic architectural VEDUTA, and his interest in this theme may have been stimulated in Rome by the quadratura frescoes of Agostino Tassi and by the urban views of Claude Lorrain and Herman van Swanevelt.
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CODAZZI, Viviano Architectural View f oil painting


Architectural View f
1627 Oil on canvas Galleria degli Uffizi, Florence
Painting ID::  6117 		CODAZZI, Viviano
Architectural View f
1627 Oil on canvas Galleria degli Uffizi, Florence
   
   
     
CODAZZI, Viviano St Peter s Rome oil painting


St Peter s Rome
c. 1630 Oil on canvas, 168 x 220 cm Museo del Prado, Madrid
Painting ID::  6118 		CODAZZI, Viviano
St Peter s Rome
c. 1630 Oil on canvas, 168 x 220 cm Museo del Prado, Madrid
   
   
     
CODAZZI, Viviano Rome, the Campo Vaccino Looking toward the Capitoline d oil painting


Rome, the Campo Vaccino Looking toward the Capitoline d
c. 1630 Oil on canvas, 72 x 95,5 cm Galleria dell'Accademia di San Luca, Rome
Painting ID::  6119 		CODAZZI, Viviano
Rome, the Campo Vaccino Looking toward the Capitoline d
c. 1630 Oil on canvas, 72 x 95,5 cm Galleria dell'Accademia di San Luca, Rome
   
   
     
CODAZZI, Viviano Arcitectural View with Two Arches oil painting


Arcitectural View with Two Arches
mk65 Oil on canvas 28 3/4x38 9/16in Pitti
Painting ID::  28955 		CODAZZI, Viviano
Arcitectural View with Two Arches
mk65 Oil on canvas 28 3/4x38 9/16in Pitti
   
   
     
CODAZZI, Viviano Architectural View wtih an Inn oil painting


Architectural View wtih an Inn
mk67 Oil on canvas 28 3/4x38 9/16in Pitti,
Painting ID::  29991 		CODAZZI, Viviano
Architectural View wtih an Inn
mk67 Oil on canvas 28 3/4x38 9/16in Pitti,
   
   
     
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     CODAZZI, Viviano
     Italian Baroque Era Painter, 1604-1670 Italian painter. He arrived in Naples about 1634, having almost certainly trained in Rome. He was a specialist in the realistic architectural VEDUTA, and his interest in this theme may have been stimulated in Rome by the quadratura frescoes of Agostino Tassi and by the urban views of Claude Lorrain and Herman van Swanevelt.

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